Selasa, 03 Desember 2013

[W238.Ebook] Free PDF Panorama: Tales from San Francisco's 1915 Pan-Pacific International Exposition, by Lee Bruno

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Panorama: Tales from San Francisco's 1915 Pan-Pacific International Exposition, by Lee Bruno

Panorama: Tales from San Francisco's 1915 Pan-Pacific International Exposition, by Lee Bruno



Panorama: Tales from San Francisco's 1915 Pan-Pacific International Exposition, by Lee Bruno

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Panorama: Tales from San Francisco's 1915 Pan-Pacific International Exposition, by Lee Bruno

2015 marks the 100th anniversary of the Panama–Pacific International Exposition (PPIE), and this fully illustrated coffee table book focuses on the groundbreaking exhibition and its fascinating participants. The book opens with a large-scale map of the exhibit, with arrows pointing to events and individual people who were there: historic figures including Thomas Edison, Henry Ford, Maria Montessori, aviator Lincoln Beachey, composer John Phillips Souza, and Charlie Chaplin. Subsequent pages have blow-ups of map sections with stories about the exhibitors and their impact on early 20th-century America. The book also contains a history of the development of the fair through the eyes of the author's great-grandfather, Reuben Hale, who was responsible for its vision and realization, against long odds.

  • Sales Rank: #848515 in Books
  • Published on: 2014-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 12.25" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 192 pages

About the Author
Lee Bruno has written for publications such as The Guardian, The Economist, and Scientific American. The great-grandson of Reuben Hale, who was responsible for the vision and realization of the Panama–Pacific International Exposition, Bruno lives in San Francisco.

Most helpful customer reviews

12 of 13 people found the following review helpful.
There is a critical problem with the readability of portions of the book
By John Galt
I was delighted to see that this book was published. I have been interested in learning more about the Panama-Pacific International Exposition. I received the book from Amazon and started to look through the contents. The pictures and illustrations are well chosen and interesting to view. It also appears that the author is knowledgeable about the subject.
There is however a critical problem with the book, a problem that should have never occurred if the book was carefully checked for readability prior to being approved for a press run.
All of the illustrations and photographs have descriptions describing the photograph/illustration. Sadly, the descriptions are not only in a very small font, but the color of the font is light gold in color. The very light color of the text and the small size of the text makes the descriptions so difficult and burdensome to read that I was left with no alternative but to return the book to Amazon.

11 of 11 people found the following review helpful.
Great collection of photos. Must have for every P.P.I.E. enthusiast.
By jpcooper
By all rights this should be a five star review. This book is a great addition to the available literature on the P.P.I.E. of 1915. Bruno has put together a wonderful collection of vintage photos and the text offers the reader important background information not presented elsewhere. The selection of photos and the quality of resolution are all one could hope for. The book is well produced and appears capable of handling years of use. The one fault, and the reason it loses that fifth star, is one that is addressed at length by another reviewer - the inability of the photo descriptions to be read without benefit of a magnifying glass. The text in question is too small and is printed in silver ink. The combination makes for very difficult reading. I think John Galt was quite severe in his two star rating because there is much here to be commended. But this issue is too significant to ignore altogether. I am glad I bought the book and am happy to add it to my library. But I hope other publishers take note of this criticism because its not the first time I've encountered this problem. Hopefully, should another edition be forthcoming, this matter will be corrected.

Please take note of another indispensable new book celebrating the 100th anniversary of the P.P.I.E. - "San Francisco's Jewel City" by Laura Ackley. It's the perfect companion to Lee Bruno's work.

8 of 8 people found the following review helpful.
A Fair to Remember
By Taryn
How many times have you rolled your eyes and sighed when someone starts telling you about his great grandfather? When you ask Lee Bruno about his, he is surprisingly circumspect – perhaps too much so.

Lee Bruno’s gorgeous volume Panorama: Tales from San Francisco’s 1915 Pan-Pacific International Exposition is a testament to “the City that knows how”, the Exposition, and the remarkable vision of Ruben Brooks Hale, the author’s great grandfather.

Hale was a far sighted entrepreneur, president of the Merchants’ Association, who planted the idea of hosting a grand Exposition - timed with the opening of the Panama Canal – in the minds of San Francisco’s civic leaders in 1904. Unfortunately, the earthquake and fire of 1906 naturally put plans on hold. As the city and residents struggled in the aftermath of the disaster, Hale pushed his idea – presenting it at a “reconstruction dinner” held at the Saint Francis Hotel on July 25, 1906 for the San Francisco Merchants’ Association. In a speech, “calculated to rally each and every businessman in the audience and challenge their collective entrepreneurial can-do spirit” Hale noted that, “San Franciscans have the reputation of being big men, working out big problems, in a big way.”

The City would prove Hale correct. The resulting Exposition, which opened February 20, 1915 and lasted for ten months, would be hugely successful – “the largest public gathering in the United States to date” and proof that San Francisco was not only reborn, but a center of culture and inspiration.

Bruno’s book is not designed to be a “history of the Fair” but rather a compendium of Fair experiences. In thirty-four pithy essays, Panorama shares the stories of the visionaries, builders, innovators, performers, artists, and visitors of the Exposition. The essays, coupled with the lush images of scenery, people, and ephemera enable the reader to glean a holistic understanding of the Exposition and an appreciation of how it transformed San Francisco into the amazing place it is today. PPIE was more than a fair – it was a beautiful and rollicking dream, a glimpse of the future and an extraordinary time of optimism, wonder, and camaraderie. Lee Bruno’s book conveys those sentiments and more. I hope you enjoy it and I’m sure you will agree that Ruben Brooks Hale would be proud of Panorama.

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