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Nietzsche's Kisses: A Novel, by Lance Olsen
Ebook Download Nietzsche's Kisses: A Novel, by Lance Olsen
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Nietzsche's Kisses is the story of Friedrich Nietzsche's last mad night on earth. Locked in a small room on the top floor of a house in Weimar, the most radical and influential of nineteenth-century German philosophers hovers between dream and wakefulness, memory and hallucination, the first person, second, and third, past and present, reliving his brief love affair with feminist Lou Salome, his stormy association with Richard Wagner, and his conflicted relationship with Lisbeth, his radibly anti-Semitic sister. Here is an authoritative portrait of the Nietzsche we know and the Nietzsche we don't. His titantic ego, suppressed, squelched, and sealed up within him, all but unknown to his acquaintances, creates a maniacal and raging giant inside his own skull that is mysterious and unnerving. Both stylistically and formally innovative, the prose in Nietzsche's Kisses is surprising and rich. The result is a vivid, complex experience of Nietzsche's final hours.
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- Sales Rank: #1258891 in eBooks
- Published on: 2015-11-22
- Released on: 2015-11-22
- Format: Kindle eBook
From Publishers Weekly
Olsen (Tonguing the Zeitgeist) delves into the fractured mind of German philosopher Friedrich Nietzsche (1844–1900) hours before his death in a Weimar institution. In the opeining narrative, Nietzsche counts his last hours, doted upon by nurse Alwine and his righteous sister, Lisbeth ("the llama"). Alternately, there are chapters titled by body parts ("Tail," "Bowels") which offer a kind of dreamlike record of Nietzsche's memory, rendered in a stream-of-consciousness second-person. Finally, a more cohesive narrative fills in the details of Nietzsche's life and works backward in time: his travels to Italy, where he fell in love with the unattainable Lou Salome; his waning years as a professor in Turin; his first literary success with The Birth of Tragedy, championed by Richard Wagner before their falling out; finally, his youth in Naumburg and his birth as a pastor's son. Fancifully embroidering into the narrative Nietzsche's themes and aphorisms—"Every sentence is a kiss"—Olsen is a fine and daring writer, equal to the material. (Mar.)
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Review
"Nietsche's Kisses is a brilliant book and a book of brilliances, one of which follows the logic of the disintegration of a great mind with poetic grace, profound comedy, and a sense of tragic inevitability. With this novel Lance Olsen moves well beyond mere experimentalism to occupy a ground worthy of the magisterial and manic figure of Nietzsche himself. This is a deeply moving, compelling, intelligent, and utterly human account of the power of mind and the glory of post-history's first and most vulnerable superman."—Michael Joyce
Lance Olsen's Nietzsche's Kisses has a Dionysian soul that the great philosopher would have loved. More importantly, Olsen, and the novel, understand what Nietzsche meant about the scary business of looking into the abyss."—Percival Everett
"Kisses, tears, and laughter. Pride, embarrassment, and humiliation. Lance Olsen's beautiful novel gives us both the 'human, all too human' side of Nietzsche and the dream of lightness and grace that was central to his philosophy, but that is too often forgotten or ignored by his disciples." —Steven Shaviro
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About the Author
Lance Olsen is the author of eighteen books of and about innovative fiction. His short stories, essays, poems, and reviews have appeared in a wide variety of journals and anthologies, including Fiction International, Iowa Review, Village Voice, Time Out, BOMB, Gulf Coast, and Best American Non-Required Reading. His novel Tonguing the Zeitgeist was a finalist for the Philip K. Dick Award. A 2006 NEA Fellowship recipient, he lives with his wife, assemblage-artist Andi Olsen, somatically in the mountains of central Idaho and digitally at www.lanceolsen.com
Most helpful customer reviews
12 of 12 people found the following review helpful.
A page-turner of prose innovation
By A Reader
This is a beautiful and unflinching work, carefully gorgeous in its language and human insight without once groveling for sentimentality. Every page houses another poem of a line ("my mother's love voice telling me that history always happens in the future"), which means that while this book can be read while maintaining 90 RPMs on a recumbent stationary bike, it should not be. Nietzsche breathes in this book, perhaps even to an extent he didn't permit in his own writing, and the ghost his breath keeps bated is Hitler himself. Until finally making an official appearance in the penultimate chapter, Weimar and the Reich haunt three massive sections of the tale, hinting at a future Germania that would extend beyond Nietzsche's life and be all he despised. He would've hated what was done to his work (his corpus-corpse) "after," and that gives this fiction an air of momentous inevitability. There's no beginning and no end: if mortality doesn't get you, the publishers will. This is a smart and lovely piece that dismisses despair in favor of...breath.
9 of 9 people found the following review helpful.
insightful and original
By Mark Wallace
I really had fun reading this book. The chapters alternate between different narrative structures, all of them used to get at Nietzsche's psyche at the end of his life from different angles. Readers who know Nietzsche and a few things about his life will probably find it more interesting than those who don't. But the book has great energy. Its structure may be experimental, but its style and attitude are very accessible.
3 of 3 people found the following review helpful.
Nietzsche's Kisses
By Kyle Muntz
"Nietzsche's Kisses" is many things. Of course, it offers an overview of Nietzsche' life and ideas, but it is also a thorough exploration of perspective and the constitution of self in memory--hinging upon a fervent intensity of experience--and a remarkably successful exercise in stylistic and formal experimentation. Olsen has always been a great stylist, but the prose here has a crystalline radiance that sets it apart even from the rest of his work, as lucid as it is versatile.
Not only that, Nietzsche himself is surprisingly sympathetic, and rendered impossibly well. In a text so aesthetically intense, the immense presence of this living, breathing individual was simply sublime.
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