Sabtu, 22 Juni 2013

[Q791.Ebook] Get Free Ebook TEF Test d'Evaluation de Francais - TEF - 250 activites (French Edition), by Sylvie Pons

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TEF Test d'Evaluation de Francais - TEF - 250 activites (French Edition), by Sylvie Pons

TEF Test d'Evaluation de Francais - TEF - 250 activites (French Edition), by Sylvie Pons



TEF Test d'Evaluation de Francais - TEF - 250 activites (French Edition), by Sylvie Pons

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TEF Test d'Evaluation de Francais - TEF - 250 activites (French Edition), by Sylvie Pons

Cet ouvrage s'adresse � un public non francophone souhaitant se pr�parer au TEF, Test d'�valuation de Fran�ais, con�u par la Chambre de Commerce et d'Industrie de Paris (CCIP).

Le contenu est organis� en deux parties principales�:

�une partie Activit�s d'entra�nement, qui permet de se familiariser avec la typologie d'exercices utilis�e dans le TEF.

�une partie Test d'entra�nement, qui propose une simulation du TEF et permet � l'utilisateur de s'auto�valuer en calculant son score et son niveau de comp�tence en fran�ais.Cette collection est con�ue pour un entra�nement en classe ou � la maison.

  • Sales Rank: #871366 in Books
  • Published on: 2006-01-01
  • Released on: 2006-01-01
  • Original language: French
  • Number of items: 1
  • Dimensions: .40" h x 7.60" w x 10.70" l, .75 pounds
  • Binding: Paperback
  • 190 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
FANTASTIQUE!!!
By Marchello
Well, it is clear, easy to understand the test format, easy to follow, it keeps you "on track" of the test system, where you don't get lost and waste time.

2 of 2 people found the following review helpful.
Good choice for study for TEFAQ too but you must buy the cd too
By Jose Ramirez
you could use the section of oral questions

for practice to TEFAQ test too

you must buy the CD or search the audio on internet

7 of 7 people found the following review helpful.
So discouraging!!
By Cara Francis
I wish I had paid attention to the one other review here - all of the incorrect answers in the key are making me feel totally disheartened! Fortunately I have a wonderful tutor who is helping me see what the correct answers are, but even she is questioning herself with the key, as some of the questions are super vague and multiple answers seem correct. I guess that's what the test is like, so at least you will be forewarned.

See all 4 customer reviews...

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[I807.Ebook] Download PDF Effectual Entrepreneurship, by Stuart Read, Saras Sarasvathy, Nick Dew, Robert Wiltbank, Anne-Valérie Ohlsson

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Effectual Entrepreneurship, by Stuart Read, Saras Sarasvathy, Nick Dew, Robert Wiltbank, Anne-Valérie Ohlsson



Effectual Entrepreneurship, by Stuart Read, Saras Sarasvathy, Nick Dew, Robert Wiltbank, Anne-Valérie Ohlsson

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Effectual Entrepreneurship, by Stuart Read, Saras Sarasvathy, Nick Dew, Robert Wiltbank, Anne-Valérie Ohlsson

What are you waiting for?

Whether you’re dreaming about starting a business, learning about entrepreneurship, or on the brink of creating a new opportunity right now, don’t wait. Open this book. Inside you will find everything you need.

This book contains:

  • a�vivid new way to learn about and to practice entrepreneurship.
  • practical exercises, questions and activities for each step in your process.
  • specific principles derived from the heuristics of expert entrepreneurs.
  • 70+ case briefs of entrepreneurs across industries, geographies and time.
  • applications to social entrepreneurship as well as the creation of opportunities in large enterprises.
  • data that will challenge assumptions you might have about entrepreneurship.
  • a broader perspective about the science of entrepreneurship and implications for how individuals can shape their own situation.
  • extra resources are also available on the accompanying website: http://www.effectuation.org/

You will find these ideas presented in a concise, modular, graphical form, perfect for those learning to be entrepreneurs or already in the thick of things.

If you want to learn about entrepreneurship in a way that emphasizes action, this book is for you. If you have already launched your entrepreneurial career and are looking for new perspectives, this book is for you. Even if you are someone who feels your day job is no longer creating anything novel or valuable, and wonders how to change it, this book is for you. Anyone using entrepreneurship to create the change they want to see in the world will find a wealth of thought-provoking material, expert advice, and practical techniques inside.

So what are you waiting for?

  • Sales Rank: #66482 in Books
  • Published on: 2010-12-23
  • Original language: English
  • Number of items: 1
  • Dimensions: .60" h x 8.60" w x 10.70" l, 1.63 pounds
  • Binding: Paperback
  • 240 pages

Review
GOLD MEDAL WINNER in the 2012 Axiom Business Book Awards

SHORTLISTED in the�textbook category for the Chartered Management Institute's�Book of the Year Prize, 2011-12

'Entrepreneurship is the most powerful tool we have for economic and social value creation and this book is destined to be recognized as the secret weapon all entrepreneurship educators have been waiting for! An accessible and comprehensive guide for all who aspire to both make and find opportunities. Bravo!' - Len Schlesinger, President, Babson College, USA

'Both in form and content, this expansive volume captures the excitement of the entrepreneurial enterprise and the opportunities and challenges presented at each development cycle. Written by European and US academics, this volume is a great starting point to explore notions of innovation and entrepreneurial activity. Summing Up: Highly recommended. All levels of undergraduate students; practitioners; general readers.' - S. A. Schulman, CUNY Kingsborough Community College, CHOICE

'A pragmatic, comprehensive book on entrepreneurship that talks about the key aspects and principles for establishing and sustaining a successful business' - Businessworld

'A first-class entrepreneurship education tool' - Georgios A. Panos, Journal of General Management

'This work has been absolutely instrumental in the development and continued growth of our company. We apply the 5 principles of effectuation everyday at Forgetful Gentleman. If you've ever thought of being an entrepreneur, this book will literally change your life.' - Nathan Tan, Co-Founder, Forgetful Gentleman, Darden MBA '09

'In offering a foil to the start-up myth,�the authors�reach an important conclusion: entrepreneurial success is not innate - it can be taught.� The lessons in this book teach burgeoning entrepreneurs how to abandon doomed business models with ease, how to turn promising ideas into profitable businesses, and how to excel in inevitable uncertainty. There is the entrepreneurial story we know: the garage office, the risk-junkie founders, the midnight stroke of genius, the millions in VC funding and then there's this book, which changes it all.' - Ashleigh Williams, Entrepreneur, MBA graduate, Atkinson Graduate School of Management, Willamette University

‘This is an inspiring and aspiring book based on practical experience, informed by different theories and schools of thought. It is very accessible to a wide range of audiences, from students to intrapreneurs.’ - George Lodorfos, Director of Undergraduate Programmes, Leeds Metropolitan University, UK

'Paulo Coelho said "We all know fear. But passion makes us fearless" - the passion can be a hobby, an idea, a desire to change the world or entrepreneurship itself. This book is all about getting you to a point where fear becomes powerless to stop you from acting on your passion.' - Jerry Nemorin, Founder of LendStreet

'An entrepreneurial blueprint for those who don't like blueprints. The authors have distilled the essence of entrepreneurship in a new and vital way. Anyone who wants to know what matters to the global and local economies of tomorrow should read this book.' - Jim Zuffoletti, co-founder of OpenQ

'I consider this book to be the Bible for entrepreneurs. Sarasvathy has taken the mystery out of entrepreneurship and given us a set of principles to follow on our long and winding journey of creating new ventures.' - Brett Nicol, co-founder of Forgetful Gentleman

'An inspiring book!� The principles of 'effectuation' puts in to words what I've been� attempting to do in my company.� The down to earth examples and the road maps encourage me to say 'yes, I can!' -�Scott Weaver, CEO of CSD Nano, Willamette University MBA

'I knew that effectuation was a game changer as I witnessed my sixty MBA classmates fight and squirm to digest the material; this topic isn't for those wanting some gentle stretching - it's a majestic contrast to the typical MBA way of thinking. As someone who already exhibited entrepreneurial tendency, effectuation provided an indispensable framework that organized and explained my previously chaotic yet intrinsic style of thinking.' - Ian Ayers, Co-Founder of Nova Global, Founder of Happy Rickshaw and CTO of LightWind Energy

About the Author

Stuart Read is a Professor of Marketing at IMD.

Saras Sarasvathy is the Isadore Horween Research Associate Professor at The Darden School, University of Virginia.

Nick Dew is an Associate Professor of Strategic Management in the Graduate School of Business and Public Policy at the Naval Postgraduate School.

Robert Wiltbank is an Associate Professor of Strategic Management at the Atkinson School of Management, Willamette University.

Anne-Val�rie Ohlsson is an independent writer, researcher, and creator.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Lucid and fun perspective on entrepreneurship
By Philippe Vandenbroeck
This is a very worthwhile book that advances a lucid and academically sound perspective on entrepreneurship. It is a view on value creation that goes against the grain of much that is being taught at business schools the world around.

Despite the theory's academic credentials this book is not an abstract treatise (for a more rigorous treatment, see Sarasvathy's Effectuation: Elements of Entrepreneurial Expertise (New Horizons in Entrepreneurship series)). It wants to support aspiring and practicing entrepreneurs in building successful ventures. It is very accessibly written with a minimum of jargon. I was surprised and happy to see my 18-year old son pick up this book and read it in just a few sittings. Since it has offered interesting fodder for family table talk.

So what is `effectual entrepreneurship' about? Effectuation is a way of creating a business that is prepared to acknowledge irreducible uncertainty: the market cannot be defined; consumers are not aware of their future preferences; new technologies may emerge; available data are incomplete and conflicting. Acknowledging these constraints means that we can only have modest expectations as regards the usefulness of market research and competitive analysis to lead us to new opportunities. So, rather than the prevailing `search and select' paradigm (identify underserved markets, build business case, implement), a `create and transform' approach is in order. Therefore, the effectual entrepreneur is more like a hunter, acting on local possibilities and contingencies as she navigates an unfolding landscape: "In the concept of transformation, the creation of a market need not be intentional or even the result of foresight or imagination of possible new markets. It could simply be one way to fulfill an individual's motivation and/or an unanticipated consequence of people just doing things they think are possible and worth doing." At bottom, what separates effectual entrepreneurs from others is a different perspective on risk and control. Expert entrepreneurs deal with uncertainty, not risk. They are trying to control a future they cannot predict.

Despite the organic and messy nature of this process, Saras Sarasvathy and Stuart Read have been able to identify a number of principles that guide effectual entrepreneurs. They are:

- Start with your means: don't wait for the perfect opportunity; start taking action based on what you have readily available.
- Set affordable loss: evaluate opportunities based on whether the downside is acceptable rather than on the attractiveness of the predicted upside.
- Leverage contingencies: Embrace surprises, remain flexible as regards goals.
- Form partnerships: with people willing to make a real commitment to jointly creating the future with you.
- Create opportunities: make the future happen by working with things within your control; don't worry about predicting the future.

The book gives life to these generic principles through an inspiring patchwork of real-world cases. Hi-tech and low-tech, large and small, American and non-American examples underscore that in real life effectuation rather than the bloodless fiction of business plans is the norm in building successful companies.

The book is structured in three parts: Part I gives a broad-brush account of effectuation and its underlying principles, and deconstructs some of the prevailing myths about entrepreneurship. Part II is a nuts and bolts discussion of effectuation in action. The principles are now discussed in more detail and their implications for financing, partnerships and branding are explored. A final part briefly discusses the relevance of effectuation for large, mature companies and for social innovators. As said, many aspects of the discussion are illustrated with well-selected examples. At the back there is a handy overview chart of all the cases linking them to the effectuation principles they help to illustrate.

The research to support the argument made by this book does not stand on its own. It chimes with much of what we have learned in systems thinking and complexity science about self-organization and emergence. Other streams of research that usefully complement this perspective on entrepreneurship are focused on design thinking, reflexive practitionership, transdisciplinarity and on dealing with 'wicked problems'.

I notice the Kindle version of this book has been withdrawn. Rightly so as in its electronic incarnation this book is all but unreadable. The sophisticated layout of the printed version, with lots of inset boxes, has been turned into a bewildering mosaic of undifferentiated text blocks. All the more a pity as the e-book was sold at a hefty price. Quite a letdown from this renowned publishing house.

This book offers an inspiring and fun perspective on entrpreneurship and is wholeheartedly recommended but only in its printed format.

7 of 8 people found the following review helpful.
A Very Important Book
By David Ahlstrom
Effectual Entrepreneurship is an excellent and very important book on entrepreneurship and innovation. It gives a lot of practical detail on how entrepreneurship occurs and how successful entrepreneurs actually work. The detail included is very important because so many books in the past have been lacking in their explanation of how entrepreneurs actually work. This book is quite consistent with other recent work on strategic intuition (William Duggan) and Peter Sims (Little Bets). Readers interested in entrepreneurship and innovation would benefit from reading these three books together. And although this is the case, Effectual Entrepreneurship has a great deal of new insight itself; drawing on extensive and in-depth research with entrepreneurs. Do not miss this fine book by Professor Sarasvathy and her colleagues; it is excellent and indispensable.
--David Ahlstrom, Professor of Management, The Chinese University of Hong Kong

1 of 1 people found the following review helpful.
This is an excellent textbook. I am an Assistant Professor in entrepreneurship ...
By Chicago Mick
This is an excellent textbook. I am an Assistant Professor in entrepreneurship and I made the switch to this book recently from more traditional textbooks for several reasons. Most importantly, I feel this book really captures the essence of most entrepreneurial activity and therefore is of most use to the majority of students taking an entrepreneurship course. In addition, my experience as an entrepreneurship instructor is that there is considerable redundancy across the curricula. Some repetition is good, but I don't know how many times a student has to write a feasibility study or a business plan (for a business they are never really going to launch). This book is not that. I feel it's a great complement to more traditional approaches. My one caveat is this book does assume the student is familiar with key business concepts (like sales, profits, break-even, valuation, etc), so if your students lack that background you will probably need to account for that in some other way.

See all 8 customer reviews...

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Rabu, 19 Juni 2013

[P276.Ebook] Free Ebook Morning Haiku, by Sonia Sanchez

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Morning Haiku, by Sonia Sanchez

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Morning Haiku, by Sonia Sanchez

From a leading writer of the Black Arts Movement, poems of commemoration and loss for readers of all ages

A collection of haiku that celebrates the gifts of life and mourns the deaths of revered African American figures in the worlds of music, literature, art, and activism.�

  • Sales Rank: #1183704 in Books
  • Brand: Brand: Beacon Press
  • Published on: 2011-01-25
  • Released on: 2011-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.49" h x .36" w x 5.50" l, .35 pounds
  • Binding: Paperback
  • 104 pages
Features
  • Used Book in Good Condition

From Booklist
Sanchez gives herself over with deep pleasure to the exacting beauty of haiku, a form she has cherished her entire writing life. Winner of the Robert Frost Medal and the Langston Hughes Poetry Award, among many other honors, Sanchez has for decades been a soaring voice in protest against racism, sexism, and other forms of injustice, and in praise of black heritage and culture. Her newest haikus are diamond distillations of complex feelings, painful history, the torrent of language, and oceanic sensuality. Inspired by an array of fellow artists, from Odetta to Max Roach, Elizabeth Catlett to Beauford Delaney, Maya Angelou to Toni Morrison, as well as Oprah Winfrey, Sanchez’s bright and dancing poems shimmer with surprising juxtapositions, unexpected flight patterns, and leap frog associations. Their brevity seems built for speed, but their lyricism and warmth inspire lingering, savoring, reading, and rereading, perhaps aloud. Try: “in the open / alley a galaxy / of dreams.” --Donna Seaman

Review
“Sonia Sanchez is a lion in literature’s forest. When she writes she roars, and when she sleeps other creatures walk gingerly.”
—Maya Angelou

“Only a poet with an innocent heart can exorcise so much pain with so much beauty.”
—Isabel Allende

“Sonia Sanchez is one of Philadelphia’s most celebrated poets and public figures. . . . She played an important role in the civil-rights and Black Arts movements and has read her poetry all over the world. That poetry is full of history, music, and song.”
—John Timpane, Philadelphia Inquirer

“Sanchez is at her finest in Morning Haiku. . . . Through the collection, Sanchez gives thanks, praise and meditation to black artists.”
—Tara Murtha, Philadelphia Weekly

“The poetry of Sonia Sanchez is full of power and yet always clean and uncluttered. It makes you wish you had thought those thoughts, felt those emotions, and, above all, expressed them so effortlessly and so well.”
—Chinua Achebe

"Her songs of destruction and loss scrape the heart; her praise songs thunder and revitalize. We need these songs for our journey together into the next century."
—Joy Harjo

“Sonia Sanchez’s poetry is a must for all readers. Period.”
—Essence

“Sanchez’s haiku is as simple and clear as breathing, but with everything that brings energy and vivacity to being alive.”
—Rain Taxi Review of Books�

About the Author
Sonia Sanchez—award-winning poet, activist, scholar, and formerly the Laura Carnell professor of English and women’s studies at Temple University—is the author of sixteen books, including Like the Singing Coming off the Drums�(Beacon / 6843-4 / $14.00 pb),�Does Your House Have Lions?�(Beacon / 6831-1 / $16.00 pb),�Wounded in the House of a Friend�(Beacon / 6827-4 / $16.00 pb), and�Shake Loose My Skin�(Beacon / 6853-3 / $15.00 pb).


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0 of 0 people found the following review helpful.
Left my old copy where it would do the most good
By Wodehousian
It will be nice to have a new copy. Some poetry is so brilliant that the effort of fighting memorization is a fey pleasure; the flow seeps into places you didn't know were there. Speaking of the work of Sonia Sanchez, I found her late in life, and she reminded me of Ita Jones, who wrote The Grub Bag. A friend of mine, Carla Perry, author of Riva Beside Me, said something that guided me to Homegirls and Handgrenades, and here I am, on my second copy of MH. Why are all my other Sanchez books in tatters? Sit down for a week and I'll tell

Better yet, start reading anywhere. Here is good. Some of her work sets Lilies of the Field to music that can't be sung in this world without her words.

0 of 0 people found the following review helpful.
Love!
By Vanessa
Sonia Sanchez is incredible. You can feel her words and the message she is conveying. I would recommend this to any poetry lover.

0 of 1 people found the following review helpful.
Gorgeous, moving book of haiku
By Frank Watson
Sonia Sanchez has written a book full of beautiful haiku. I’ve marked at least half of the 104 pages with one or more haiku that deeply moved me. Here are a few examples:

your death
a blues, i could not
drink away

in the beginning
when memory was sound. there was
bonesmell. bloodtear. whisperscream;

And plenty of beautiful poems of image and sound:

brownskinned
children dancing
with butterflies

your drums
soloing our breaths into
the beat . . . unbeat

I highly recommend the book. Though the subject matter is a thoroughly modern and lovely reflection of African American cultural influence, the emotional impact of Sanchez’s haiku/senryu style is quite similar to that of reading a Japanese haiku in the original.

Many English haiku writers simplistically write haiku in the 5-7-5 form because this is how it was first understood in English. However, Japanese words have more syllables than English words, so the effect of writing 5-7-5 haiku is English is wordy and diluted. Sanchez’s style is more true to the emotional impact by concentrating the impact of each haiku in 5-6 substantive words in most cases, while writing subject matter that is uniquely her own.

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Minggu, 16 Juni 2013

[Z674.Ebook] Free PDF The Feminist Spectator as Critic, by Jill Dolan

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The Feminist Spectator as Critic broke new ground as one of the pioneering books on feminist spectatorship, encouraging resistant readings to generate feminist meanings in performance. Approaching live spectatorship through a range of interdisciplinary methods, the book has been foundational in theater studies, performance studies, and gender/sexuality/women's studies. This updated and enlarged second edition celebrates the book's twenty-fifth anniversary with a substantial new introduction and up-to-the-moment bibliography, detailing the progress to date in gender equity in theater and the arts, and suggesting how far we have yet to go.

  • Sales Rank: #1195379 in Books
  • Brand: Brand: University of Michigan Press
  • Published on: 2012-10-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .82 pounds
  • Binding: Paperback
  • 212 pages
Features
  • Used Book in Good Condition

About the Author

Jill Dolan is Annan Professor in English, Professor of Theater, and Director of the Program in Gender and Sexuality Studies at Princeton University.� She received the George Jean Nathan Award for Dramatic Criticism for her blog of the same name, The Feminist Spectator. Her other books include A Menopausal Gentleman: The Solo Performances of Peggy Shaw (editor); Theatre & Sexuality; Utopia in Performance:� Finding Hope at the Theater; Geographies of Learning:� Theory and Practice, Activism and Performance; and Presence and Desire:� Essays on Gender, Sexuality, Performance. The Feminist Spectator blog can be found at www.feministspectator.blogspot.com.

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Sabtu, 15 Juni 2013

[Y645.Ebook] PDF Download Lluvia De Oraciones (Spanish Edition), by Dr. D. K. Olukoya

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Lluvia La oraci�n es un libro poderoso guerra espiritual proporciona una soluci�n orientada a los resultados de 125 temas de oraci�n. El libro ofrece una soluci�n a trav�s de puntos de oraci�n de diversas situaciones de la vida dif�ciles. Cada tema oraci�n viene con una descripci�n de situaciones de la vida, los s�ntomas del problema, pasajes b�blicos pertinentes para la soluci�n del problema y puntos de oraci�n.

  • Sales Rank: #2050342 in Books
  • Published on: 2013-05-26
  • Original language: Spanish
  • Dimensions: 9.25" h x 1.38" w x 7.50" l,
  • Binding: Paperback
  • 612 pages

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1 of 1 people found the following review helpful.
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By Amazon Customer
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By sylvia Robles
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Para orar de forma efectiva.
By Mary Ann Hasbun
Una ayuda efectiva para hacer guerra espiritual.

Unicamente en algunas oraciones la traduccion no es clara. Pero aun asi le pongo las cinco estrellas,

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Kamis, 13 Juni 2013

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It isn't necessary on your journey through this physical life to act perfectly or strive to be faultless. The beauty of being human is to live and do the things that were only conceptions when we were still formless Beings of Light. Join me on a trek of Spiritual and Mental expansion into the highest realm of Absolute peace and Love. Learn how to release your programmed beliefs and start Living In Consciousness. JB Lewis

  • Sales Rank: #12141040 in Books
  • Published on: 2013-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .81" w x 6.00" l, 1.05 pounds
  • Binding: Paperback
  • 322 pages

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0 of 0 people found the following review helpful.
Some solid wisdom from a modern day mystic
By Jeff Maziarek, author of Codi's Journey
Having read this author's first book "The Miracle of You," I was very interested to read this title, with hopes of learning something new of course, but also to see how his writing was progressing. Now that I've completed "Living in Consciousness," I feel inspired to say that, from my perspective, JB Lewis truly is a modern mystic, a very sincere ambassador of Spirit who has a wealth of valuable insights to share with readers.

As a person who grew up in a traditional Christian family, Lewis has extensive Biblical knowledge, so he can speak with authority on that subject. He also has the experience of living within a fundamentalist Christian environment, meaning he knows exactly what it's like to be "on the inside," so to speak. This makes his work particularly valuable to individuals within that world who are perhaps questioning the rigidity of its teachings, who are wondering if maybe everything in the Bible isn't in fact the sacred word of God.

The reality is, there's a lot of insightful content in this book, and much thought-provoking material as well. The only reason I chose not to give it a five star rating, is because the author is still refining his craft as a writer, and as such the book lacks some of the "polish" that characterizes books published by mainstream publishers. With that said, I nonetheless recommend this book as a spiritual growth resource, and really do look forward to reading more from him.

0 of 0 people found the following review helpful.
Holy Roller ????
By R. F. Lake
This author obviously thinks religion is crap but talks a lot about God and the soul, just like religion does. Maybe it's just dogma he doesn't like. This author has a clear and well developed mind but relies a great deal on belief.

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nice
By Amazon Customer
It Was a good read, very easily understood. You Cant get much better in price. recommendable read over all. .

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  • Sales Rank: #452126 in eBooks
  • Published on: 2015-07-31
  • Released on: 2015-07-31
  • Format: Kindle eBook

About the Author
Sam Adeyemi, insightful teacher, success coach, and leadership consultant, is the founder of Success Power International. He hosts the television programs "Success Power" and "Excellent Leadership" which are viewed around the world. He also with his wife founded Daystar Christian Centre, Lagos, Nigeria, and the Daystar Leadership Academy which has imparted entrepreneurial, management and leadership skills to several thousands who are making impact in all spheres of life. He is married to Nike Adeyemi, founder of Real Woman International, an organization that brings healing and empowerment to women and children. They are blessed with three amazing children and both speak at seminars and conferences internationally.

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Leadership Unpacked
By Katie Casey
I had the wonderful opportunity to hear Sam Adeyemi speak and he was such a dynamic speaker and seemingly natural leader that I wanted to read his book right away. It definitely did not disappoint. This is a fairly short read, but packed with leadership tidbits.

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Great book!
By SKarr
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Good Read
By T. Edge
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Jumat, 07 Juni 2013

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Midsummer Customs In Morocco (Folklore History Series), by Edward Westermarck

Morocco is a melting pot of cultures and religions, in this deeply researched essay, all the information is gathered from eye witness accounts and oral histories gathered first hand from the peasantry at the turn of the 19th century. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

  • Sales Rank: #7228317 in Books
  • Published on: 2010-07-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .6" w x 5.51" l, .9 pounds
  • Binding: Paperback
  • 24 pages

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0 of 0 people found the following review helpful.
Westermarck about Midsummer
By spmima
Westermarck was a great sociologist. This is a public lecture published as a small book. The speechlike character of the text is evident but not too distracting.

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Selasa, 04 Juni 2013

[G884.Ebook] Fee Download Discourse on Free Will (Bloomsbury Revelations), by Desiderius Erasmus, Martin Luther

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Discourse on Free Will (Bloomsbury Revelations), by Desiderius Erasmus, Martin Luther

Discourse on Free Will (Bloomsbury Revelations), by Desiderius Erasmus, Martin Luther



Discourse on Free Will (Bloomsbury Revelations), by Desiderius Erasmus, Martin Luther

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Discourse on Free Will (Bloomsbury Revelations), by Desiderius Erasmus, Martin Luther

Desiderius Eramsus (1466/9-1536) was the most renowned scholar of his age, a celebrated humanist and Classicist, and the first teacher of Greek at Cambridge. An influential figure in the Protestant Reformation, though without ever breaking from the Church himself, he satirised both human folly and the corruption of the Church. Martin Luther (1483-1546) was the founder of the German Reformation. His 95 Theses became a manifesto for reform of the Catholic Church and led to his being tried for heresy. He remained in Germany, Professor of Biblical Exegesis at the University of Wittenburg, until his death, publishing a large number of works, including three major treatises and a translation of the New Testament into German. Comprising Erasmus's "The Free Will" and Luther's "The Bondage of the Will", Discourse on Free Will is a landmark text in the history of Protestantism. Encapsulating the perspective on free will of two of the most important figures in the history of Christianity, it remains to this day a powerful, thought-provoking and timely work.

  • Sales Rank: #465778 in Books
  • Brand: Erasmus, Desiderius/ Luther, Martin/ Winter, Ernst F. (TRN)
  • Published on: 2013-06-27
  • Released on: 2013-06-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.51" h x .48" w x 5.50" l, .49 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

Review
[Discourse on Free Will] provides an example of two approaches to interpreting a theological tension -Erasmus maintains it and Luther tries to resolve it by absorbing one of the poles into the other. Even if the latter course often seems simpler, how often does it do justice to all the biblical evidence?" -- Robby J. Kagarise Evangelical Journal

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40 of 48 people found the following review helpful.
an inside look at the ideas that made the Reformation
By Finn Darsinla
Luther once said that the Catholic Church stands or falls on the question of justification and free will: salvation by faith alone, or must the human soul respond? Get a first-hand peek at what Luther thought of the Catholic Church's teachings, and how Erasmus, a Catholic bishop, replied. Don't think you understand the Reformation or the "protest" inherent in Protestantism until you read this book. This is Luther at his fist-pounding best; but Erasmus is sophisticated, irenic, and penetrating. The key question is: who was right? If you're a Christian, don't decide until you've read this cover to cover.

4 of 5 people found the following review helpful.
Finally found a copy of Erasmus' Discourse on Free Will
By Jeffrey Van Wagoner
I've been looking for this little gem for years and this was the only copy I could find in English; I couldn't find anything on the Kindle. This is an out of print edition published in 1961. It is the translation by Ernst F. Winter. There were newer editions available, but they were relatively expensive. This edition also has some very brief excerpts from Luther's famous response, but it covers only about 20% of what he wrote. I ordered a cheap Kindle edition of that so I could read the whole thing. I found it interesting that I could find Luther's discourse almost anywhere, but that it was so difficult to find Erasmus' arguments.

So you'll understand my slant on this, I am a strong believer in free will (I'm LDS). I thoroughly enjoyed Erasmus' discourse and thought he did a very good job using Biblical proofs, thoughts of the Christian Fathers, and logic to prove his point. He had a section on Old Testament proofs, another on New Testament proofs, another where he responded to apparent Biblical proofs against free will, and another section responding to proofs Luther had used in the past against free will.

The excerpts from Luther mainly show strong personal attacks on Erasmus and assertions, but I get the feeling that the compiler chose not to show the best parts of Luther's response. I am in the process of reading the complete response of Luther and will have a better idea of its strengths. I disagree profoundly with several of Luther's basic assumptions and interpretations of Paul, but I am still curious to hear his arguments from direct reading of one of his most famous works.

Once again, this book should mainly be read for Erasmus' discourse and not for Luther's since it is just excerpts. I highly recommend this book for anyone interested in the great debate on free will.

2 of 2 people found the following review helpful.
The Ongoing Debate
By Ryan Leack
I purchased this book for my "Formation of Modern Christianity" class and am in the process of writing my term paper on the debate between Erasmus and Luther on the issue of free will. This book does an excellent job of reviewing Erasmus' case for free will and briefly summarizes Luther's case for the bondage of will, as well. Buy this book if you'd like a concise review of this ongoing debate.

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Senin, 03 Juni 2013

[R573.Ebook] Free Ebook Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste

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Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste

INSTANT NEW YORK TIMES BESTSELLER

“Thrilling . . . [told] with gonzo �lan . . . When the sommelier and blogger Madeline Puckette writes that this book is the�Kitchen Confidential�of the wine world, she’s not wrong,�though Bill Buford’s Heat is probably a shade closer.”�—Jennifer Senior, The New York Times

“Remarkably entertaining.”�—The San Francisco Chronicle

“As informative as it is, well, intoxicating.”�—Fortune

“A funny, fascinating adventure.”�—Real Simple

Professional journalist and amateur drinker Bianca Bosker didn’t know much about wine—until she discovered an alternate universe where taste reigns supreme, a world of elite sommeliers who dedicate their lives to the pursuit of flavor. Astounded by their�fervor and seemingly superhuman sensory powers, she set out to uncover what drove their obsession, and whether she, too, could become a “cork dork.”

With boundless curiousity, humor, and a healthy dose of skepticism, Bosker takes the reader inside underground tasting groups, exclusive New York City restaurants, California mass-market wine factories, and even a neuroscientist’s fMRI machine as she attempts to answer the most nagging question of all: what’s the big deal about wine? What she learns will change the way you drink wine—and, perhaps, the way you live—forever.

Named one of The 4 Books You Should Read This Spring by Fortune
Named one of 12 Nonfiction Books You Need to Read in March by Harper’s Bazaar
Named one of the 20 Best Nonfiction Books Coming in March 2017 by Bustle
Named one of The Best Drink Books of Spring and Summer�2017 by Punch
Named one of the Best Books of Early 2017 by Brightly

  • Sales Rank: #167 in Books
  • Brand: PENGUIN
  • Published on: 2017-03-28
  • Released on: 2017-03-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.01" h x .74" w x 5.27" l, .65 pounds
  • Binding: Paperback
  • 352 pages
Features
  • PENGUIN

Review
“Bosker’s journey into this sodden universe is thrilling, and she tells her story with gonzo �lan. . . . She gives great gossip . . . [and] is, in the main, great company as a narrator—witty, generous, democratic . . . When the sommelier and blogger Madeline Puckette writes that this book is the Kitchen Confidential of the wine world, she’s not wrong, though Bill Buford’s Heat is probably a shade closer to this book's sensibility and heart.”
—Jennifer Senior, The New York Times

“Cork Dork is remarkably entertaining. Bosker is a talented writer, a thorough reporter and is unfailingly funny.”
—The San Francisco Chronicle

“Reads like a wine lover’s equivalent of Dante’s ‘The Divine Comedy’: There is paradise, but only after glimpses of purgatory and hell…A funny, thought-provoking and at times frightening look at the sublime tastes, enormous egos and curious rules of a profession that is both insanely rigorous and occasionally ridiculous.”
—Associated Press

"A madcap 18-month journey...[that's] as informative as it is, well, intoxicating."�
—Fortune,�“The 4 Books You Should Read This Spring”

“A funny, fascinating adventure.”
—Real Simple

“A savory romp...[that reveals] not just the intricacies and nuances of flavor that vary from grape to grape, but why wine has become such a social staple for the entire world—and how the way we drink it can potentially change our lives.”�
—Harper’s Bazaar,�“12 Books You Need to Read in March”

“[An] often-hilarious memoir.”
—Good Housekeeping

“Incredibly well written, intelligent, witty, and highly entertaining.” �
—Eater

“As fresh and fun as a Wachau Riesling…packed with helpful information, wrapped in honest inquiry, and slathered with humor and wit.”�
—Terroirist

“One of the most entertaining drink-related memoirs in years.”
—Punch

“Refreshingly accessible...It’s delightful and informative to see a subject as potentially stodgy as wine appreciation refracted through the perspective of someone young, female, and very smart.”�
—Portland Mercury

“[A] must-read wine book.”
—San Jose�Mercury News�

“You’ll never feel lost in front of a wine list again.”�
—Cynthia Graber and Nicola Twilley of �“Gastropod,”�via The Atlantic

“I loved this book. It’s not just about wine. It’s about learning how to listen to your senses, to more deeply experience and appreciate the world around you, and everyone could use another glass of that.”
—Mary Roach, author of�Gulp

“In this smart and sharply observed book, Bianca Bosker takes us on a marvelous journey through the mad, manic, seductive subculture of wine and wine lovers. It’s also a deeply felt story of her own experience, told with great heart and wit.”
—Susan Orlean, author of�The Orchid Thief

“Cork Dork is a brilliant feat of screwball participatory journalism and Bianca Bosker is a gonzo nerd prodigy.�This hilarious, thoughtful and erudite book may be the ultimate answer to the perennial question of whether or not wine connoisseurship is a scam.”
—Jay McInerney, author of The Juice

“In this delightfully written and keenly observed book, Bianca Bosker helps us become�connoisseurs�not only of wine but also of�people�whose passions would more aptly be described as obsessions.”
—Walter Isaacson, author of�The Innovators

“Speaking as someone who barely knows a good Bordeaux from a bottle of Boone's Farm, I was charmed and entertained by this book.”
—John Jeremiah Sullivan, author of Pulphead�

“The Kitchen Confidential of wine: Read this book, and you’ll never be intimidated by wine—or wine snobs—again.”
—Madeline Puckette, co-author of Wine Folly�

“Fascinating…Thanks to Bosker’s sensory descriptions, we get to taste and smell alongside her, without dealing with the thousands of hours of study and endless flashcards first.”�
—Bustle

“An informative yet funny examination of wine.”
—Brightly, “The Best Books of Early 2017”

“A quest—both hilarious and horrifying—to understand the nature of taste.”
—Imbibe

“An entertaining read.”�
—Phoenix New Times

“Reading�Bianca Bosker is�like�sitting down with�a brilliant, curious friend for an after-work drink, and suddenly�finding�it’s midnight and the table is littered with empty bottles. Between her hilarious exploits and thoughtful meditations on wine and life, you’ll want�to�stay for�just one more.”
—Lauren Collins, author of�When In French�

“A�joyful journey of discovery into the ‘soul’ of wine,�filled with wit and insight at every step.”
—Maria Konnikova, author of�The Confidence Game�

“If you have wondered about the mysteries of wine, and the airs of people who claim to know something about it,�Cork Dork�is essential reading. Read�it�and you will never look at wine in quite the same way�again. This is reportage of a high order.”
—Roger Cohen, author of�The Girl from Human Street

“Rollicking and lively...I gulped down this book with enormous pleasure.”
—Julia Flynn Siler, author of�The House of Mondavi�

“Always perceptive, curious, and entertaining, the author describes her experiences with precision and a wry sense of humor...Readers will certainly come away from the book knowing more about wine and likely eager to explore it further, but even those less inclined to imbibe will be intrigued.”
—Kirkus Reviews (starred review)

“An interesting look at those with an unquenchable thirst for those unique bottles of vinicultural perfection.”
—Booklist�

“A page-turning and fascinating memoir.”
—Publishers Weekly�

About the Author
Bianca Bosker�is an award-winning journalist who has written about food, wine, architecture, and technology for�The New Yorker�online,�The Atlantic, T: The New York Times Style Magazine, Food & Wine, The Wall Street Journal,�The Guardian,�and�The New Republic. The former executive tech editor of The Huffington Post, she is the author of the critically acclaimed book�Original Copies: Architectural Mimicry in Contemporary China�(University of Hawaii Press, 2013). She lives in New York City.

Excerpt. � Reprinted by permission. All rights reserved.
Introduction

The Blind Tasting

Perfume was the first to go, but I’d been expecting that. Scented detergent followed, then dryer sheets. I wasn’t sorry to give up raw onions or hot sauce. Not adding extra salt was rough at first, tolerable for a bit, then miserable. When I went out to eat, everything tasted like it had been doused in brine. Losing Listerine wasn’t so bad; replacing it with a rinse of citric-acid solution and watered-down whiskey was. I went through a dark phase when I cut out coffee. But by that point, I was used to being a little slow in the morning. Daytime sobriety was ancient history, along with all hot liquids, the enamel on my teeth, and my Advil supply.

All this was part of the deprivation routine I cobbled together at the advice of more than two dozen sommeliers, who, over the course of a year and a half, became my mentors, tormentors, drill sergeants, bosses, and friends.

You might be wondering why I’d spend eighteen months getting coached by a bunch of pinstripe-wearing bottle pushers. After all, aren’t sommeliers just glorified waiters with a fancy name (somm-el-yay) who intimidate diners into splurging on wine?

That was pretty much how I saw them, too, until I handed myself over to an elite clan of sommeliers for whom serving wine is less a job than a way of life, one of living for taste above all else. They enter high-stakes wine competitions (sometimes while nine months pregnant), handle millions of dollars in liquid gold, and make it their mission to convince the world that beauty in flavor belongs on the same aesthetic plane as beauty in art or music. They study weather reports to see if rain will dull their noses, and lick rocks to improve their taste buds. Toothpaste is a liability. They complain about that “new glass” smell, and sacrifice marriages in the name of palate practice. One sommelier, whose wife divorced him over his compulsive studying, told me, “Certainly, if I had to choose between passing my exam and that relationship that I had, I would still choose passing my exam.” Their job depends on detecting, analyzing, describing, and accounting for variations of flavor in a liquid that’s compound-for-compound the most complicated drink on the planet. “There’s hundreds and hundreds of volatiles. There’s polysaccharides. There’s proteins. Amino acids. Biogenic amines. Organic acids. Vitamins. Carotenoids,” an enology professor explained to me. “After blood, wine is the most complex matrix there is.”

With that obsessive focus on minute differences in flavor comes—actually, I wasn’t sure what, exactly. At least, not when I started. I came to these sommeliers wanting to know what life was like for them, out at the extremes of taste, and how they’d gotten there. It turned into a question of whether I could get there too—if any of us could—and what would change if I did.

Some words of warning:

For you, a glass of wine might be your happy place. The thing you reach for at the end of a long day, when you switch off a part of your brain. If you want to keep it that way, then stay far, far away from the individuals in this book.

On the other hand, if you’ve ever wondered what all the fuss is about wine, whether there’s really a discernible difference between a $20 and $200 bottle, or what would happen if you pushed your senses to their limits—well then, I have some people I’d like you to meet.

---

Spend enough time in the wine world, and you’ll find every connoisseur has a story about the bottle that launched their obsession with wine. Usually, their Saul-on-the-road-to-Damascus moment arrives via, say, a 1961 Giacomo Conterno Barolo sipped in a little restaurant in Piedmont, Italy, overlooking the Langhe hills, the beech trees swaying as a gentle fog curls up from the valley floor. It’s something of a formula: Europe + natural splendor + rare wine = moment of enlightenment.

My wine epiphany came slightly differently: at a computer screen. And I wasn’t even drinking—I was watching others do it.

At the time, I was a technology reporter covering the Googles and Snapchats of the world for an online-only news site, and I was doing most things via screens. I’d spent half a decade on the tech beat, writing virtual articles about virtual things in virtual universes that couldn’t be tasted, felt, touched, or smelled. To me, “immersive” meant websites with really big digital photos, and the words “it smells” could only ever refer to a problem—BO, a coworker’s lunch, spoiled milk in the office fridge. I once made someone do a story titled “How to Take a Vacation on Google Street View,” as if scrolling through blurry photos of Hawaii’s Waikoloa Village could be a reasonable substitute for lounging around with a Mai Tai in the late afternoon sun.

One Sunday evening, my then-boyfriend-now-husband dragged me to a restaurant on the lower rim of Central Park. It was the type of place that prides itself on applying to food what J. P. Morgan purportedly said about yachts: If you have to ask the price, you can’t afford it. I would usually have steered clear of this place for fear of bankruptcy—financial and possibly spiritual—but we were going to meet his client Dave. And Dave liked wine.

I liked wine the same way I liked Tibetan hand puppetry or theoretical particle physics, which is to say I had no idea what was going on but was content to smile and nod. It seemed like one of those things that took way more effort than it was worth to understand. Dave collected old wines from Bordeaux. I’d go so far as to say I generally preferred wines from a bottle, but I certainly wouldn’t have turned up my nose at something boxed.

We’d barely taken our seats when the sommelier came over. Naturally, he was an old friend of Dave’s. After offering a few platitudes about a “good year” and “elegant nose,” he disappeared to fetch us a bottle, then returned to pour Dave a taste. “It’s drinking really well right now,” murmured the sommelier, employing the sort of nonsense phrase that’s only credible to people who use “summer” as a verb. The wine, as far as I could tell, was not doing anything so much as “sitting” in the glass.

As the two men oohed and aahed over exquisite aromas of shaved graphite and tar, I began to tune them out. But then the sommelier mentioned he was preparing for the World’s Best Sommelier Competition.

Excuse me?

At first, the idea seemed ridiculous. How could serving wine possibly be a competitive sport? Open, pour, and you’re done. Right?

The sommelier quickly ran through the contest’s main events. Most difficult and nerve-wracking of all was the blind tasting, which required him to identify the complete pedigree of some half dozen wines: the year each was made, from what species of grapes, in what small corner of the planet (think vineyard, not country), plus how long it could be aged, what to eat with it, and why.

Truth be told, it sounded like the least fun anyone’s ever had with alcohol. But I love a competition, the less athletic and more gluttonous the better, so when I got home that night, I did some digging to see what this sommelier face-off was all about.

I became obsessed. I lost entire afternoons glued to my laptop watching videos of competitors uncorking, decanting, sniffing, and spitting in their quest for the title of World’s Best Sommelier. It was like the Westminster Dog Show, with booze: In one event after another, well-groomed specimens with coiffured hair and buffed nails duked it out at a pursuit where success came down to inscrutable minutiae, a grim-faced panel of judges, and the grace with which candidates walked in a circle. (Sommeliers should turn clockwise, only, around a table.) The hopefuls chose their words as if being charged by the syllable and scrutinized their guests (not customers—“guests”) for precious hints about their moods, budgets, and tastes. Seeing a desperate bid for control in the faint quiver of a hand pouring at an awkward angle, I sensed their craft was governed by stringent rules that I couldn’t guess, let alone appreciate. But it was clear they were not to be broken: V�ronique Rivest, the first woman ever to make it to the competition’s final round, beat her fists when she forgot to offer her guests coffee or cigars. “Merde, merde, MERDE!” she moaned. “Shit, shit, SHIT!” There was no trace of irony. It was riveting.

I found out later that one contestant had taken dancing lessons to perfect his elegant walk across the floor. Another hired a speech coach to help him modulate his voice into a velvety baritone, plus a memory expert to strengthen his recall of vineyard names. Others consulted sports psychologists to learn how to stay cool under pressure.

If service was an art, the blind tasting looked downright magical. In one video, V�ronique glided onstage, camera shutters clicking in the background, and approached a table lined with four glasses, each filled with a few ounces of wine. She reached for a white, and stuck her nose deep into the glass. I held my breath and leaned into my screen. She had just 180 seconds to zero in on the precise aromas and flavors that defined the wine, then correctly deduce what she was drinking. There are more than fifty different countries that produce wine; nearly 200 years of drinkable wines; more than 340 distinct wine appellations in France alone; and more than 5,000 types of grapes that can be blended in a virtually infinite number of ways. So, if you do the math—multiply, add, carry the three—you get approximately a bazillion different combinations. She was undaunted, and rattled off the profile of a 2011 Chenin Blanc from Maharashtra, India, with the ease of someone giving directions to her house.

I was captivated by these people who had honed the kind of sensory acuity I’d thus far assumed belonged exclusively to bomb-sniffing German shepherds. I felt like these sommeliers and I existed at opposite extremes: While my life was one of sensory deprivation, theirs was one of sensory cultivation. They made me wonder what I might be missing. Sitting in front of my computer screen, watching videos of people sniffing wine on repeat, I resolved to find out what that was.

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I am a journalist by training and a type-A neurotic by birth, so I started my research the only way I knew how: I read everything I could get my hands on, carpet-bombed sommeliers’ in-boxes, and showed up places uninvited, just to see who I’d meet.

My first night out with a herd of New York City sommeliers did not end well. I kicked things off by crashing a blind tasting competition at a distributor’s office, where I sipped a few glasses along with the judges, tasted a dozen or so wines in celebration of the winner, trailed everyone to a hotel bar for another round, then skipped dinner in favor of a bottle of Champagne that a thirsty sommelier insisted I split with him. Next, I stumbled home and immediately threw up.

Early the next morning, while I was Googling “hangover cure” with one eye open, I received a text message from the guy who’d ordered the bubbly the night before. It was a photo of six wines lined up in front of him. He was tasting. Again.

Lesson one: These people are relentless.

This all-hours fervor was a far cry from what I’d found when I went digging through books and magazines for clues about how I could follow in footsteps of someone like V�ronique. The literature makes a life in wine seem utterly sybaritic: A lot of fancy men (because it’s traditionally been men) drinking fancy bottles in fancy places. A hard day’s work was choking down a bottle of Bordeaux less than a decade old. “Casting a backward glance at my first trip to the Loire, I see a younger man who supported discomforts that sound torturous today,” writes wine importer Kermit Lynch in his memoir, Adventures on the Wine Route. What were these torturous discomforts he endured? He “flew from San Francisco to New York, changed planes, landed in Paris, rented a car, and drove to the Loire.” Quelle horreur!

But as I spent more time with sommeliers—eventually drinking at late hours in their apartments and being schooled in the art of spitting—I grew fascinated by a subculture I didn’t see reflected in anything I’d read about wine. For a field that’s ostensibly all about pleasure, the current generation of sommeliers, or “somms,” puts themselves through an astonishing amount of pain. They work long hours on their feet late into the night, wake up early to cram facts from wine encyclopedias, rehearse decanting in the afternoons, devote days off to competitions, and dedicate the few remaining minutes to sleep—or, more likely, to mooning over a rare bottle of Riesling. It is, in the words of one sommelier, “like some blood sport with corkscrews.” Another called what they feel for wine a “sickness.” They were the most masochistic hedonists I’d ever met.

Nothing I watched or read captured all the idiosyncrasies of the trade. Many decades ago, sommeliers were often failed chefs. They were booted from kitchens, then conscripted to a job they performed with all the charm of the beasts of burden for which they’re named. (The word “sommelier” comes from sommier, Middle French for packhorse.) They had a reputation for stalking the floors of stuffy French restaurants wearing dark suits and scowls, like judgy undertakers. But the latest up-and-coming somms have left fancy schools to eagerly pursue what they consider a calling. They are, like me, in their late twenties, childless, worried about rent, and still trying to convince their parents they haven’t ruined their lives by not going to law school. Armed with master’s degrees in philosophy or Stanford engineering degrees, these self-proclaimed “white-collar refugees” espouse lofty theories about service and ambitious ideas about wine’s potential to move the soul. And they’ve brought both youth and XX chromosomes to an industry that’s long resembled a good-ol’-boys fraternity.

Initially, my interest was largely journalistic. All my life, I’ve been obsessed with other people’s obsessions. I’ve never stood in line for hours to scream my head off at a teenage heartthrob or decided to “date” a character in a video game, but I’ve spent years writing about—and trying to figure out—the sort of people who do. So naturally, the somms’ passion instantly sucked me in. I became fixated on understanding what drove them. Why were they consumed by wine? And how had this “sickness” upended their lives?

Yet as I dug deeper into their world, something unexpected happened: I started to feel uncomfortable. Not with the sommeliers—who, aside from a tendency to overserve me, were perfectly charming—but with my own attitude and assumptions. The truth is, the strongest emotion I’d ever felt for wine was something like shame-infused guilt. More than any other edible thing on this planet, wine is celebrated as part and parcel of a civilized life. Robert Louis Stevenson called wine “bottled poetry,” and Benjamin Franklin declared it “constant proof that God loves us”—things no one’s ever said about, say, lamb chops or lasagna, delicious as they might be. The somms spoke of bottles that sent their spirits soaring like a Rachmaninoff symphony. “They make you feel small,” one gushed. I didn’t have a clue what they were talking about, and frankly, it sounded farfetched. Were they full of shit, or was I somehow deficient in my ability to appreciate one of life’s ultimate pleasures? I wanted to know what these oenophiles meant, and why otherwise rational people devote mind-boggling amounts of money and time to chasing down a few ephemeral seconds of flavor. To put it more bluntly, I wanted to know: What’s the big deal about wine?

When I drank a glass of wine, it was as if my taste buds were firing off a message written in code. My brain could only decipher a few words. “Blahblahblahblah wine! You’re drinking wine!”

But to connoisseurs, that garbled message can be a story about the iconoclast in Tuscany who said Vaffanculo! to Italy’s wine rules and planted French Cabernet Sauvignon vines, or the madman vintner who dodged shell fire and tanks to make vintage after vintage all through Lebanon’s fifteen-year civil war. That same mouthful can tell a tale about a nation’s evolving laws, or the lazy cellar dweller who botched his task of cleaning the winery’s barrels. These drinkers’ senses offer them access to a fuller world, where histories, aspirations, and ecosystems emerge from tastes and smells.

My obliviousness to such nuances started to drive me crazy. Now as I listened to my friends swear off Starbucks for $4 cold-brew coffee or rave about single-origin chocolate bars, I began to notice a paradox in our foodie culture. We obsess over finding or making food and drink that tastes better—planning travel itineraries, splurging on tasting menus, buying exotic ingredients, lusting after the freshest produce. Yet we do nothing to teach ourselves to be better tasters. “We are as a nation taste-blind,” wrote M. F. K. Fisher, a criticism that, from everything I’d observed, remains as true today as it was in 1937.

A more personal and profound concern quickly overshadowed my journalistic curiosity. I’d lately had flashes of frustration with my tech-centric existence, the textures of stories and life all flattened by the glossy sameness of screens. The more I learned, the more confined and incomplete my own tiny corner of experience appeared. Merely writing about the sommeliers suddenly seemed inadequate. What I wanted, instead, was to become like them.

I began to ask myself: What would it take for me to uncover the same things in wine that they did? Did these pros get where they are through practice alone? Or were they genetically blessed mutants born with an innate sensitivity to smell?

I’d always assumed that super sensers were born, not made, the way Novak Djokovic is genetically endowed with the wingspan to crush all comers. Turns out, that’s no excuse. As I began supplementing my YouTube binges with a healthy diet of scientific studies, I found that training our noses and tongues depends first and foremost on training our brains.

Only, most of us haven’t bothered to do so. Biased by thinkers like Plato who dismissed taste and smell as the “minor” faculties, most of us don’t know the basic truths about these two senses (which we actually have a tendency to confuse with each other). We mix up where we register different tastes (hint: not only in your mouth). We’re not even sure how many tastes there are (almost certainly more than the five you’ve heard of). And we’re convinced that humans evolved to be the animal kingdom’s worst smellers (even though recent research suggests that’s a myth). In essence, we all but ignore two of the five senses that we’ve been given to take in and interpret the world.

I was impatient to make a change and discover what I was neglecting, both in wine and in life. The somms I met described how their training had helped them do everything from find fresh pleasure in their everyday routines, to staying true to sensory perception, fending off interference from extraneous noise about price or brand. It seemed possible for any of us to relish richer experiences by tuning into the sensory information we overlook. And I was thirsty to give it a go.

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This book traces the year I spent among flavor freaks, sensory scientists, big-bottle hunters, smell masterminds, tipsy hedonists, rule-breaking winemakers, and the world’s most ambitious sommeliers. It is not a wine buyer’s guide, or a credulous celebration of all wine-drinking traditions. In fact, it explores the ways in which the industry is—in the words of one Princeton University wine economist—“intrinsically bullshit-prone.” But clear aside the bullshit, and what remains are insights that have relevance far outside the realm of food and drink.

Less a journey from grape to glass (though there will be glimpses at how wine is made), this is an adventure from glass to gullet—into the wild world of wine obsession and appreciation in all its forms and with all its flaws. It’s an investigation of how we relate to a 7,000-year-old liquid that has charmed Egyptian monarchs, destitute farmers, Russian tsars, Wall Street moguls, suburban parents, and Chinese college kids. Prepare to go behind the scenes in Michelin-star dining rooms, into orgiastic bacchanals for the 0.1 percent, back in time to the first restaurants, and into fMRI machines and research labs. Along the way, you’ll meet the madman who hazed me, the cork dork who coached me, the Burgundy collector who tried to seduce me, and the scientist who studied me.

The relationship between taste and appreciating life runs through our language. We say variety is the “spice” of life. In Spanish, the verb gustar—to like or to please—comes from the Latin gustare, meaning “to taste,” the same root for our English word “gustatory”—concerned with tasting. So, in Spanish, when you say that you like something—clothes, democracy, artwork, can openers—you are, in an ancient sense, saying that it tastes good to you. In English, when we apply ourselves with passion and enthusiasm, we say we’ve done something with “gusto,” which stems from the same Latin root. A person who likes the right things is said to have good taste—no matter if those things, like music, cannot be tasted at all.

Taste is not just our default metaphor for savoring life. It is so firmly embedded in the structure of our thought that it has ceased to be a metaphor at all. For the sommeliers, sensory scholars, winemakers, connoisseurs, and collectors I met, to taste better is to live better, and to know ourselves more deeply. And I saw that tasting better had to begin with the most complex edible of all: wine.

Most helpful customer reviews

2 of 2 people found the following review helpful.
The good, the bad, and the ugly of wine
By JohnVidale
Very entertaining, full of anecdotes, facts, misconceptions, and autobiographical details.

Just two flaws. First, I had the sense that liberty was taken with various narratives, in fact, she says somewhere that not everything is written exactly as it happened. Better to stick to what happened - reality is more compelling than artful fiction. Second, the last chapter lost the objective point of view to become an advocate for her passion. I prefer to form my own opinions, as the first 95% of the book allows.

Glad to have read it.

9 of 10 people found the following review helpful.
Wonderfully Well Written and Readable Wine Industry Adventure
By A Golden
I've lived in Northern California for 8 years and have always felt like an outsider when it comes to wine. Bosker's book welcomes those of us who crave an understanding of wine but who don't know where to start. Better yet, her first person narrative is so compelling that the story is interesting even if wine is not of interest. I recommend this to anyone who, like Bosker, is fascinated by subjects that evoke passion in others.

4 of 4 people found the following review helpful.
BB's b-shit meter is finely tuned and gets to the heart about what is so compelling and beautiful about wine without a hint of e
By gscottiii
Vastly entertaining and lively book. BB's b-shit meter is finely tuned and gets to the heart about what is so compelling and beautiful about wine without a hint of elitism. Recommended for both the novice and experienced drinker. Well done.

See all 47 customer reviews...

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Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste PDF
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